There is an industrial sky and the wind
is a little too strong, a little too cool
to blow like this through the still leafless
branches of the trees on this two-flat street.
You asked, inside, the lamps lit at 4 o’clock,
if my mother read my poetry and I said no,
why would my mother read my poetry?
And I thought of one she’d found, put
on the wall of her pharmaceutical company office:
“We are all homeless,” it began somewhat dramatically,
and I suppose she was, a passed around orphan
in 1950s Northern Ohio: plains without expanses
and the canned laughter out of the tinny speakers
of new televisions: the fakers pretending
to be just like you and me. She told me she used
to go to the Akron airport to watch the planes
on Saturday afternoons and when heaven came
on Sunday morning she felt a similar awe,
with the rosary beads like pebbles
in her fingers and the candles lit and the thick smell
of the church clinging to her clothes the rest of the day,
like an importance carried even that far
from the faraway cathedrals in Europe
with the same Latin calling down the same God.
In that same poem I talked of the ballgames
at dusk and how the air felt against our forearms
as the sun was replaced by the night
and all the voices of our parents calling us in
and they were much younger too.
Later, everybody around our patio
with the grilling and the conversations
and I would sneak off into the corner
of the shared yard and the crickets
with their sound of the rhythm of the earth
seemed like a permanence in the summer
and not a vesperal hum announcing
any of these auroras of autumn.
I would kneel down to hear them closer,
sometimes I would get a jar
and all night, I would hear that song
and it was quieter than silence to me.
I am remembering this now,
it is the part of the poem that was never written.
Modern Poets Magazine 